~npisanti/npisantidotcomssg

03e1840f8b2ee8909038a47ff28ade708a4263c6 — Nicola Pisanti a month ago 718bbd7
reorganized content
57 files changed, 82 insertions(+), 9 deletions(-)

M input/base/rssbase.xml
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M input/journal/rss.list
M input/pages/centosigilli.html
A input/pages/contact.html
M input/pages/hexaglyphics.html
M input/pages/inktober19.html
A input/pages/more.html
M input/pages/np-samples.html
M input/pages/profeticomatico.html
M input/pages/resume.html
M input/pages/selfteaching.html
M input/pages/synchron.html
M input/base/rssbase.xml => input/base/rssbase.xml +1 -2
@@ 5,8 5,7 @@
		<link>http://npisanti.com/journal/</link>
		<description>on my way to technomancy</description>
		<language>en-us</language>
		<copyright>Copyright 2014-LASTYEARPLACEHOLDER Nicola Pisanti</copyright>
		<lastBuildDate>LASTBUILDPLACEHOLDER</lastBuildDate>
		<copyright>Copyright 2014-2020 Nicola Pisanti</copyright>
		<docs>http://backend.userland.com/rss</docs>
		<managingEditor>nicola@npisanti.com</managingEditor>
		<webMaster>nicola@npisanti.com</webMaster>

R input/pages/clayblocks.html => input/disable/pages/clayblocks.html +0 -0

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R input/pages/ofxpdsp_page.html => input/disable/pages/ofxpdsp_page.html +0 -0

R input/pages/ofxsimdfloats.html => input/disable/pages/ofxsimdfloats.html +0 -0

R input/pages/outpost.html => input/disable/pages/outpost.html +0 -0

R input/pages/oxided.html => input/disable/pages/oxided.html +0 -0

R input/pages/pizzica.html => input/disable/pages/pizzica.html +0 -0

R input/pages/quattro.html => input/disable/pages/quattro.html +0 -0

R input/journal/visuals/2012_10_06__oxided_EP.html => input/disable/posts/2012_10_06__oxided_EP.html +0 -0

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R input/disable/2013_12_19__knobs.html => input/disable/posts/2013_12_19__knobs.html +0 -0

R input/disable/2013_12_21__sine_phases.html => input/disable/posts/2013_12_21__sine_phases.html +0 -0

R input/disable/2014_07_15__broken_ps3eye.html => input/disable/posts/2014_07_15__broken_ps3eye.html +0 -0

R input/disable/2014_07_22__cellular_pillars.html => input/disable/posts/2014_07_22__cellular_pillars.html +0 -0

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R input/disable/2014_08_24__mechanical_pizzica.html => input/disable/posts/2014_08_24__mechanical_pizzica.html +0 -0

R input/disable/2014_08_25__pibang.html => input/disable/posts/2014_08_25__pibang.html +0 -0

R input/disable/2015_06_12__profeticomatico.html => input/disable/posts/2015_06_12__profeticomatico.html +0 -0

R input/disable/2016_10_10__junk_speaker.html => input/disable/posts/2016_10_10__junk_speaker.html +0 -0

R input/disable/2016_11_11a_pdsp_beatslicing.html => input/disable/posts/2016_11_11a_pdsp_beatslicing.html +0 -0

R input/disable/2016_11_21__tin_foil_proximity_sensor.html => input/disable/posts/2016_11_21__tin_foil_proximity_sensor.html +0 -0

R input/disable/2016_11_22__create_AP.html => input/disable/posts/2016_11_22__create_AP.html +0 -0

R input/disable/2016_11_25__alphamask_selfie.html => input/disable/posts/2016_11_25__alphamask_selfie.html +0 -0

R input/disable/2017_01_11__kinect_contours_delay.html => input/disable/posts/2017_01_11__kinect_contours_delay.html +0 -0

R input/disable/2017_01_17__full_backpack.html => input/disable/posts/2017_01_17__full_backpack.html +0 -0

R input/disable/2017_01_25__mouse_drawn_paths_II.html => input/disable/posts/2017_01_25__mouse_drawn_paths_II.html +0 -0

R input/disable/2017_01_28__atari_punk_console.html => input/disable/posts/2017_01_28__atari_punk_console.html +0 -0

R input/disable/2017_03_03__glitchy_shaders.html => input/disable/posts/2017_03_03__glitchy_shaders.html +0 -0

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R input/disable/2017_05_06__artefatto_quattro_wip.html => input/disable/posts/2017_05_06__artefatto_quattro_wip.html +0 -0

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R input/disable/2017_05_20__capacitive_av_tests.html => input/disable/posts/2017_05_20__capacitive_av_tests.html +0 -0

R input/disable/2017_06_18__claustro_mapping.html => input/disable/posts/2017_06_18__claustro_mapping.html +0 -0

R input/disable/2017_08_08a_lampadina.html => input/disable/posts/2017_08_08a_lampadina.html +0 -0

R input/disable/2017_08_08b_drums_and_relays.html => input/disable/posts/2017_08_08b_drums_and_relays.html +0 -0

R input/disable/2017_08_23__osservazione_delle_cose_stellari.html => input/disable/posts/2017_08_23__osservazione_delle_cose_stellari.html +0 -0

R input/disable/2017_12_27__laser_levistick.html => input/disable/posts/2017_12_27__laser_levistick.html +0 -0

R input/disable/2018_08_24__asemic_glsl.html => input/disable/posts/2018_08_24__asemic_glsl.html +0 -0

R input/disable/2018_11_24a_ir_tracker.html => input/disable/posts/2018_11_24a_ir_tracker.html +0 -0

R input/disable/2019_08_29__caserta_blues.html => input/disable/posts/2019_08_29__caserta_blues.html +0 -0

R input/disable/2019_11_01__inktober.html => input/disable/posts/2019_11_01__inktober.html +0 -0

M input/journal/rss.list => input/journal/rss.list +1 -1
@@ 1,7 1,7 @@
visuals/2020_07_12__infected_clock.html
ink/2020_07_09a_motore_immoto_1.html
music/2020_04_10__la_cauzione.html
visuals/2020_04_08__600_mana.html 
visuals/2020_04_08__600_mana.html
ink/2020_03_22b_schematics.html
ink/2020_03_22a_corvo.html
music/2020_03_04__non_gentrificato.html

M input/pages/centosigilli.html => input/pages/centosigilli.html +2 -1
@@ 1,7 1,7 @@
<!-- META>
og_thumb=centosigilli/wardrobe02.jpg
<-->
<br>
<section>
"cento sigilli" is an asemic writing laboratory I organized in the <a href="https://www.cavallerizzairreale.org/">Cavallerizza Irreale</a> for Here&sup3; (2018), with the help of the Cavallerizza's collaborative drawing group.<br> 
The workshop lasted two days, 6 hours each day. All the people were free to come in and partecipate to a part of the workshop and then leave.<br>
The first day we invented all the exercises and through iteration we elaborated three different alphabeths.<br> 


@@ 43,3 43,4 @@ We used them to keep an entity binded inside one of the Cavallerizza's wall ward
<br>
<a href="data/centosigilli/wardrobe02.jpg"><img src="data/centosigilli/lofi/wardrobe02.jpg" loading="lazy"></a>
<br>
</section>

A input/pages/contact.html => input/pages/contact.html +12 -0
@@ 0,0 1,12 @@
<section class="center fill">
    <a href="SITEROOTPATH/data/avatars/caffe.jpg"  style="border-bottom:none"><img src="SITEROOTPATH/data/avatars/lofi/caffe.jpg" width="100%"></a>
    <br><br><br>
    Hi planewalker, i'm Nicola. <br>
    What do you wish to know? <br>
    <br>
    <br>
    mail: nicola [at] npisanti [dot] com
    <br>
    fediverse : <a href="https://merveilles.town/@npisanti"  rel="noopener noreferrer">@npisanti@merveilles.town</a><br>
    twitter : <a href="https://twitter.com/npisanti"   rel="noopener noreferrer">@npisanti</a><br>
</section>

M input/pages/hexaglyphics.html => input/pages/hexaglyphics.html +2 -0
@@ 1,6 1,7 @@
<!-- META>
og_thumb=videos/hexaglyphics_1dot1_thumb.jpg
<-->
<section>
<video width="100%" preload="metadata" controls loop poster="SITEROOTPATH/data/videos/hexaglyphics_1dot1_thumb.jpg">
    <source src="SITEROOTPATH/data/videos/hexaglyphics_1dot1.mp4" type="video/mp4">
    Your browser does not support the video tag.


@@ 35,3 36,4 @@ Its features include:<ul>
<br>

<a href="https://itunes.apple.com/app/hexaglyphics-noise-generator/id963852820">---&gt; get it on the app store</a>
</section>
\ No newline at end of file

M input/pages/inktober19.html => input/pages/inktober19.html +2 -1
@@ 1,6 1,7 @@
<!-- META>
og_thumb=inktober2019/resized/inktober2019_pt2.jpg
<-->
<section>
Ispired by the people on <a href="https://merveilles.town">merveilles</a>, i started to make bookmarks based on the <a href="https://inktober.com/rules" target="_blank">inktober themes</a> this year. This is a page for the results, click on the images for higher res pictures!<br>
<br>
<br>


@@ 75,4 76,4 @@ Ispired by the people on <a href="https://merveilles.town">merveilles</a>, i sta
    <li>31 - ripe</li>
</ul>
<br>

</section>

A input/pages/more.html => input/pages/more.html +52 -0
@@ 0,0 1,52 @@
<section>
    <p>
    The main section of this site is the blog <a href="main/index.html">feed</a>. At the moment, posts are also divided into "channels" containing more posts than the main feed:
    <ul>
    <li><a href="../ink/index.html">ink</a> contains a lot more doodles</li>
    <li><a href="../installations/index.html">installations</a> inhabitating spaces</li>
    <li><a href="../music/index.html">music</a>: livecoded, generative, jams and experiments</li>
    <li><a href="../visuals/index.html">visuals</a>: code-based graphics and interactions</li>
	</ul>
    </p>
    
    <p>This <a href="rss.xml">RSS</a> feed cointains the latest posts in chronological order.</p>
</section>

<section>
    <p><a href="np-samples.html">np-samples</a>: an archive of the audio samples i've recorded in the past, free to use</p>
</section>

<section>
	For me better tools aren't the ones doing more, but tools doing no more than what i need. As removing features and simplifying code is never in the corporate agendas, open source software is the only way to have tools that are <a href="https://en.wikipedia.org/wiki/Worse_is_better">simple</a>, reliable, <a href="https://tonsky.me/blog/disenchantment/">efficient</a> and long-standing.<br>
	<br>
    I code and mantain some of my own tools and code snippets:<br>
    <p><a href="https://git.sr.ht/~npisanti/folderkit">folderkit</a>: 32 voices sampler companion for <a href="https://100r.co/site/orca.html">ORCΛ</a>

    <p><a href="https://git.sr.ht/~npisanti/raylyeh">raylyeh</a>: hot-reloaded graphics scripting tool spawned by <a href="https://www.raylib.com/">raylib</a></p>

    <p><a href="https://git.sr.ht/~npisanti/rl_tools">rl_tools</a>: tools i scripted with raylyeh</p> 
    
    <p><a href="https://git.sr.ht/~npisanti/rpiezos">rpiezos</a>: hardware and software to convert piezo sensor signals into OSC messages by using a raspberry pi and some DIY electronics</p>

    <p><a href="https://git.sr.ht/~npisanti/gpiosc">gpiosc</a>: a program to control raspberry pi GPIO pins with incoming OSC messages</p>

    <p><a href="https://git.sr.ht/~npisanti/orca-snippets/tree">orca-snippets</a>: snippets of code i use in ORCΛ</p>

	<p><a href="https://git.sr.ht/~npisanti/scrapbook">scrapbook</a>: a collection of code snippets and sketches</p>
	    
    <p><a href="https://git.sr.ht/~npisanti/grimorio">grimorio</a>: scripts and dotfiles to setup my system starting from a debian netinst</p>
</section>

<section>
    <p><a href="hexaglyphics.html">Hexaglyphics</a> is a digital noise instrument based on an invented hexadecimal alphabeth</p>
</section>

<section>
    <p>
    &#60&#60 <a href="selfteaching.html">selfteaching</a> &#62&#62: resources for learning</p>
</section>
<section>
    <p>This website doesn't use javascript, doesn't use cookies, and it's put together by a <a href="https://git.sr.ht/~npisanti/npisantidotcomssg">bash script.</a></p>
    <p> It also works offline, you can copy it entirely and you will have a working snapshot on your machine without booting a server or having internet connection.
    </p>
</section>

M input/pages/np-samples.html => input/pages/np-samples.html +2 -0
@@ 1,6 1,7 @@
<!-- META>
og_thumb=np-samples/suspender.jpg
<-->
<section>
<p>Here you can find a collection of the audio samples i recorded during the past years. There are many industrial/junk percussions, even self-built instruments, or outdoor structure played with sticks, mallet, etc. Many things are sampled multiple times, with also different samples for low / high dynamics.</p>
<ul>
    <li><a href="SITEROOTPATH/samples/air_duct.zip">air_duct.zip</a> an air duct played with sticks, mallet and hands</li>


@@ 62,3 63,4 @@ og_thumb=np-samples/suspender.jpg
<img style="float:left; width:49%; padding:0.5%;" src="SITEROOTPATH/data/np-samples/tubophone.jpg" loading="lazy">
</div>
<br style="clear:both" />
</section>

M input/pages/profeticomatico.html => input/pages/profeticomatico.html +2 -2
@@ 1,6 1,6 @@
<br>
<section>
<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; height: auto; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }</style><div class='embed-container'><iframe src='https://www.youtube.com/embed/c3Wh0RPhv24' frameborder='0' webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div>
<br>
<br>
Profeticomatico is a work i made with <a href="http://antoniopipolo.com/">Antonio Pipolo</a>: It's an ironic oracle ispired both by to the zodiac, the tarots and other divination methods and by some italian comic movies from the 70s and 80s. It uses simple grammatical procedures and a small dictionary to generate responses that vary from the total nonsense to the strangely meaningful, united randomly selected and glitched illustrations. Made with Raspberry Pi 2, Arduino and the Adafruit Thermal Printer.<br>
<br>
</section>

M input/pages/resume.html => input/pages/resume.html +2 -1
@@ 1,4 1,4 @@
<br>
<section>
Hi, i'm Nicola Pisanti. <br>
As i worked a lot as a freelance creative coder in the past years i thought this non-conventional resume would fit me better.<br>
<br>


@@ 60,3 60,4 @@ Lately i am really into livecoding stuff, so i built some binding to make my own
<br>
If you want to see something more, you're on my website, feel free to roam it =)
<br>
</section>
\ No newline at end of file

M input/pages/selfteaching.html => input/pages/selfteaching.html +2 -0
@@ 1,3 1,4 @@
<section>
<p>I am mainly self-taught, and sometimes i'm asked where to learn the kind of things i do. So here it is a curated list of didactical devices:</p>
<br>
BEGINNER<ul>


@@ 30,3 31,4 @@ ASEMIC WRITING<ul>
    <li>general wikipedia <a href="https://en.wikipedia.org/wiki/Asemic_writing">article</a></li>
	<li>Adrian Frutiger - Signs and symbols: Their Design and Meaning</li>
</ul>
</section>

M input/pages/synchron.html => input/pages/synchron.html +2 -1
@@ 1,7 1,7 @@
<!-- META>
og_thumb=videos/synchron_A_thumb.png
<-->
<br>
<section>
Synchron is a multimedia music performance created by composers <a href="https://soundcloud.com/muzikmik/">Michele Ciccimarra</a>, <a href="http://peter-hinz.com/" target="_blank">Peter Hinz</a>, <a href="https://soundcloud.com/dominikfuerstberger" target="_blank">Dominik F&#xFC;rstberger</a> and visual artists <a href="http://antoniopipolo.com/" target="_blank">Antonio Pipolo</a>, Nicola Pisanti (<a href="http://collettivocaleido.com/" target="_blank">collettivocaleido</a>) with the choreographic assistance of &#xC9;ric Trottier. The project developed during a creative residency program hosted by <a href="https://www.eintanzhaus.de/startseite/" target="_blank">EinTanzHouse</a>,(DE) and was produced in partnership with the Municipality of Mannheim (DE).<br>
<br>
The idea of the project is realized inside the binomial of synchrony and asynchrony in everyday life and how it reflect the movement of the bodies and the perception of the space. The composition is a contemporary music piece for three percussionists who fuse together worldwide sounds, instrument tradition and electronic music. In the performance the rhythms of the drummers oscillate around a prefixed structure continously following it and breaking it down over time.<br>


@@ 36,3 36,4 @@ Trailer:
<br>
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<br>
</section>